One or two emails.
this that, 96 Gestures, Dénouement
Seems to prefer avant-jazz.
Well-read, good writer. 4 upturned noses.
4 upturned noses.
from 96 Gestures
The composition is a structure of cued modules giving leads that encourage improvisation. Outcome can vary considerably as these three realizations, each more than an hour long, demonstrate well. Common to all three is a sense of fluency, lightness and mobility, multiple events and constant activity without unwanted snarls or messy collisions. Ostensibly very different to This That, and on a label subsidiary to CRI, which has for many years championed contemporary compositions, 96 Gestures nonetheless shares points of contact in its questioning repetitions and variations, its (more formal) permutatory maneuvers and the sense that no concluding gesture can ever be more than provisional. Fieldss choice of collaborators has been one of his strengths. Here it ensures sensitive playing and accurate reading that align the piece with substantial work by the likes of Butch Morris, Anthony Braxton, and John Zorn seeking ways to sustain and extend creative relationships between composed forms and alert improvising.