The guitarist Scott Fields provides a tribute to Samuel Beckett with a dense and challenging bit of chamber jazz or maybe modern classical/free music that he describes as “post-free jazz” and “exploratory music.” His concept of tightly packed compositions with noisy breaches of the oft times violent surface tempts the outer reaches of sound. Perfectly matched by the overtly quirky drummer, John Hollenbeck, these odd structures ask many musical questions, and sometimes provide answers. — All About Jazz
Applying laser to Minaret Minuets (or playing the download), from electric guitarist Scott Fields and tenor saxophonist Matthias Schubert, recalls the early days of mono-into-stereo recordings. Back then you might hear the saxophonist coming from just one speaker. Where you sat in relation to your hi-fi set up was paramount. By unplugging one channel you would be able to create your own solo session. With Fields and Schubert, both strong soloists, you might be tempted to do the same, but, alas, modern engineers blend the channels for balanced listening.
Fields, an American free jazz player from 1960s’ Chicago, has transformed into a complex thinker and organizer of structured and intricate group interactions and improvisations. He moved to Germany a few years back and began working in Schubert’s jazz orchestra. The two have also collaborated on Fields’ ensemble recording, Beckett (Clean Feed, 2007), with John Hollenbeck and Scott Roller.
What stands out here is the multiple simple gestures made by each musician. Be it a saxophone’s flutter and breath or a guitar’s string of notes, each produces sounds that seem to shimmer or glow before dwindling away. The pair apply more space than might be expected. Is it in deference to the other? Perhaps. Maybe that is why the ear is drawn to a single speaker. Focusing on just one player would cause you to ignore the superb interaction of forces here. — All About Jazz